Blake Morrison

Kunle​ is a law student in Lagos with little grasp of what’s happening in the country. When his uncle asks, ‘You have heard that there is war in Eastern Region, abi?’ he shakes his head. He’s a lonely, ‘hermitic’ sort of boy. Since his transistor radio ran out of batteries, he hasn’t kept up with current events. Now term is over there’s no...

Novelists​ don’t usually care for screen adaptations of their work. But the film versions of Atonement, The Remains of the Day and The English Patient do no great disservice to the books. And Colm Tóibín wasn’t unhappy with Nick Hornby’s screenplay for Brooklyn, despite two big changes to the ending. In the novel, when the insidious Enniscorthy shopkeeper Miss...

The success​ of Paul Harding’s first novel, Tinkers (2009), is the kind of good luck story worth passing on to any dispirited author. When Cold Water Flat, the band he drummed with in the 1990s, broke up after touring the US and Europe, he studied creative writing at the University of Iowa, under the tutelage of (among others) Marilynne Robinson. The novel he spent the next decade...

Richard Ford​ is sceptical about character. He thinks it changeable, provisional, unpredictable, irresolute and ‘decidedly unwhole’, which makes things tricky for a novelist. You send a man to see his girlfriend in the expectation that she’ll dump him and she tells him how sweet he is. You don’t know where you are with people. They don’t know where they are...

Jon Fosse​ doesn’t use sentences, or prefers not to end them. When you open Septology, with its smallish print and narrow margins, it can feel like a death sentence – all the more so since the book, much possessed with death, runs to more than eight hundred pages. There are no paragraphs or full stops here. Fosse has called the writing ‘slow prose’ and it lingers on...