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The Hooks of her Gipsy Dresses

Nicholas Penny, 1 September 1988

Picasso: Creator and Destroyer 
by Arianna Stassinopoulos Huffington.
Weidenfeld, 559 pp., £16, June 1988, 0 02 977935 9
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... was he more determined to avoid being agreeable than in his late work now at the Tate Gallery. The best group of works on display is the selection from the series of erotic prints made in 1968 and 1970-2. This includes masterpieces (Nos 114 and 148, above all), but also many rehearsals and doodled variations, a higher ratio of unserious work than in his ...

Feigning a Relish

Nicholas Penny: One Tate or Two, 15 October 1998

The Tate: A History 
by Frances Spalding.
Tate Gallery, 308 pp., £25, April 1998, 1 85437 231 9
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... tends to stifle unorthodox intelligence and has little of the sympathy for the past which is the best protector of future needs. We must hope this does not happen at the Tate. The Gallery’s imminent division may be an appropriate moment to review the prehistory of the type of institution, or rather types of institution, which it embodies. This means ...

Forgetting

Nicholas Spice, 7 February 1985

A Late Divorce 
by A.B. Yehoshua, translated by Hillel Halkin.
Harvill, 352 pp., £8.95, October 1984, 0 00 271448 5
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Machine Dreams 
by Jayne Anne Phillips.
Faber, 331 pp., £8.95, October 1984, 0 571 13398 3
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... autobiographical feeling, which is otherwise wholly absent from Machine Dreams. What Phillips does best – and it is a measure of her quality as a writer – is not the description of states of mind and feeling which could plausibly be her own, but the description of those which are most unlikely to be. Implicit in A Late Divorce is the recognition that the ...

Goddesses and Girls

Nicholas Penny, 2 December 1982

... men – the males, I mean – who beheld it. Although the early Christians seem to have done their best to destroy them all for ever, there had been so many statues of the nude Venus – hundreds, perhaps thousands of them copied, and still more derived, from Praxiteles’s masterpiece – that a few turned up in the Middle Ages to meet with a very mixed ...

In Hiding

Nicholas Spice, 30 December 1982

Richard Strauss: A Chronicle of the Early Years 1864-1898 
by Willi Schuh, translated by Mary Whitall.
Cambridge, 555 pp., £35, July 1982, 0 521 24104 9
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... gradually, there’s a limit to everything, I’m afraid, and when I pull myself together as best I can and comfort Papa, it’s a waste of time trying to distract him – that’s the sad thing – he’s becoming more and more unsociable, I think he feels that he’s doing dear Mama a moral wrong of some kind if he allows himself to be distracted and ...

Who framed Madame Moitessier?

Nicholas Penny, 9 April 1992

Metropolitan Jewellery 
by Sophie McConnell.
Metropolitan Museum of Art/Bulfinch, 111 pp., £17.99, November 1991, 0 8212 1877 8
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Italian Renaissance Frames 
by Timothy Newbery, George Bisacca and Laurence Kanter.
Metropolitan Museum of Art, 111 pp., £25, May 1991, 0 8109 3455 8
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The Italian Renaissance Interior 1400-1600 
by Peter Thornton.
Weidenfeld, 407 pp., £65, October 1991, 0 297 83006 6
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Palaces of Art 
edited by Giles Waterfield.
Dulwich Picture Gallery, 188 pp., £20, December 1991, 0 9501564 5 0
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... other hand, artists often included details for fun.’ Yet he maintains that they are still ‘the best evidence that we possess concerning the appearance of rooms at the time’. The effect is to make him a little too eager to discern reliable documentation of contemporary practice in works of the imagination. Of a two-part Annunciation painted by Giovanni ...

Cradles in the Portego

Nicholas Penny: Renaissance Venice, 5 January 2006

The New Palaces of Medieval Venice 
by Juergen Schulz.
Pennsylvania State, 368 pp., £61.50, July 2004, 0 271 02351 1
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Private Lives in Renaissance Venice 
by Patricia Fortini Brown.
Yale, 312 pp., £35, October 2004, 0 300 10236 4
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... not least because these pictures do nothing to support her other claims: they are perhaps the best illustrations of ‘honourable hospitality’ and of a ‘gallant retinue’ of servants that it is possible to find. ‘Only recently have the more mundane products of the artisan – furniture, glass, ceramics, metalwork, textiles and costume – received ...

Whalers v. Sealers

Nicholas Guyatt: Rebellion on the Tryal, 19 March 2015

Empire of Necessity: The Untold History of a Slave Rebellion in the Age of Liberty 
by Greg Grandin.
Oneworld, 360 pp., £25, May 2014, 978 1 78074 410 0
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... gives a sympathetic account of Islamic worship in Indonesia, and says that China has ‘one of the best regulated governments in the world’. Amid much sermonising, the book has moments of disorienting candour. Delano recounts falling overboard with five shipmates off the coast of Tasmania. As his arms and legs went numb, he realised with horror that one of ...

Blame it on his social life

Nicholas Penny: Kenneth Clark, 5 January 2017

Kenneth Clark: Life, Art and ‘Civilisation’ 
by James Stourton.
William Collins, 478 pp., £30, September 2016, 978 0 00 749341 8
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... and silence together with images would be a feature of many superb passages in Civilisation. His best writing had often owed much to the lecture hall, but the book based on the script for Civilisation exposed the limitations of that text. Nevertheless for many thousands it remained a precious relic of the affable and urbane embodiment of culture who had ...

Homage to the Provinces

Peter Campbell, 22 March 1990

Wright of Derby 
by Judy Egerton.
Tate Gallery, 294 pp., £25, February 1990, 1 85437 038 3
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... Harry Peckham stands with hand on hip; he was to die after breaking his neck while hunting. Nicholas Heath sits with his arm over the back of his chair; he changed his name to Nicholas Nicholas when he inherited an estate, Boy Court. Mrs Wilmot, painted in riding clothes in the same year, leans forward on a ...

Priapus Knight

Marilyn Butler, 18 March 1982

The Arrogant Connoisseur: Richard Payne Knight 1751-1824 
edited by Michael Clarke and Nicholas Penny.
Manchester, 189 pp., £30, February 1982, 0 7190 0871 9
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... country house, Downton Castle in Herefordshire, which is Classical within and castellated without. Nicholas Penny suggests that Downton is not so much Gothic as Romano-British, and certainly the quest for the truly primitive was to be a driving force behind Knight’s forays into other artistic fields. About the same time, the mid-l780s, he began to collect ...

Short Cuts

Thomas Jones: The biography of stuff, 5 July 2001

... book.’ If a book can’t be recast in its subtitle as the biography of its subject, the next best thing is for it to appear as a self-help book. Alain de Botton’s Consolations of Philosophy, a model of its kind, came out in paperback in the spring. Playing, in a manner of speaking, Achilles to de Botton’s tortoise, ...

Short Cuts

Thomas Jones: Blogged Down, 24 January 2008

... on the fly for anonymous intimates’. And they are, on the whole, a diverting enough bunch. The best of the lot, though, is the diary of Samuel Pepys, which a web designer called Phil Gyford has been posting in daily instalments since 2003, using the text already online at Project Gutenberg. It doesn’t exactly not fit in here, which rather puts paid to ...

Didn’t they notice?

David Runciman: Offshore, 14 April 2011

Treasure Islands: Tax Havens and the Men who Stole the World 
by Nicholas Shaxson.
Bodley Head, 329 pp., £14.99, January 2011, 978 1 84792 110 9
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Winner-Take-All Politics: How Washington Made the Rich Richer – and Turned Its Back on the Middle Class 
by Jacob Hacker and Paul Pierson.
Simon and Schuster, 368 pp., £11.50, March 2011, 978 1 4165 8870 2
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... on the smooth-talking thug and would-be businessman Stringer Bell from The Wire. But the word that best captures Saif Gaddafi comes from Nicholas Shaxson’s blistering account of the role that tax havens play in international finance. Shaxson doesn’t discuss the Gaddafis themselves, but he does paint a picture of the ...

Forged, Forger, Forget

Nicholas Spice: Peter Carey, 5 August 2010

Parrot and Olivier in America 
by Peter Carey.
Faber, 451 pp., £18.99, February 2010, 978 0 571 25329 6
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... and rearranged version of Tocqueville’s itinerary, and he does so not in the company of his best friend but of his newly acquired English servant, John Larrit. And, unlike Tocqueville, Olivier falls in love. His romance with Amelia Godefroy, the daughter of a governor of Wethersfield prison in Connecticut (which Tocqueville also visited), takes on the ...

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