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“... I swear, I thought I was going to a party.   I had a new suit made of blue corduroy and new black shoes that came with a free pack of playing cards. I was seven years old. What he was actually going to was the Dragon School (his new suit was its uniform), he had just – through inattention, or distracted by TV – missed the parental announcement. In ...”

“... from New Orleans, and only ten miles from the Mexican border. It has a large Latin population, a black ghetto, a corrupt mayor (whose first name was Mayor until he dropped it by deed poll), and an underworld dominated by the shadowy figure of the Dude, who works exclusively through Silent Partners and his answering service. It also has a visiting ...”

“... even if she can’t bring herself to take his voice off the answering machine. ‘It’s not black and white,’ Didion remembers a young doctor saying in 1982 about the condition of a niece who was on the point of dying, a proposition that finds its way into Didion’s novel Democracy, where the sceptical and uncrazy heroine says: ‘Not ...”

“... the subject of much debate. Along the way, Smolin develops many other interesting arguments. From black holes and their thermodynamic properties he deduces that area is in some sense more fundamental in physics than volume (or length). This leads, in turn, to the so-called holographic principle, a belief that the information encoded in the Universe – the ...”

“... new films to see at home, even if we have to wait for renewed acquaintance with Wonder Woman, the Black Widow and James Bond. Among the best of the recent releases is Arkansas (US only so far), directed by Clark Duke, perhaps best known for playing Clark Green in the American version of The Office. He has directed films before, but only short ones.The film ...”

“... lady is supposed to, and the maid, Emilia (Laura Betti), taking care of a few chores. All this in black and white, as if to remind us what Neorealism used to look like before Fellini got hold of it. A postman fluttering his arms like an angel’s wings – just for fun, no symbolism intended, even if his name is Angelino – delivers a telegram to the ...”

“... morning suits, younger brother in smart but more casual clothes. Sister-in-law very tidy in black traditional Japanese dress. Bride cloaked in a mountainous confection of pink and white silk, topped by a hat that looks like a small but heavy monument. When she moves it’s as if a tent were shifting its ground. She kneels before her father, he says she ...”

“... of the same picture we see the eyes and glasses again but this time we are more conscious of the black-gloved hand taking up a piece of the frame. Another poster shows Oldman looking preoccupied. The slogan is: ‘The secret is out.’ In yet another the picture is full-length, and Oldman stands tall against a background of snapshots of the other members of ...”

“... out. In what is perhaps the film’s most tense and understated scene, we are shown a large black SUV parked in an alley. Inside the car a conversation is taking place, which must settle our question one way or another. But we don’t know which way it will go, and we just stare at the dark windshield, the lumpy crude vehicle, the litter in the ...”

“... Peeta’s room: he is strapped to his bed, and thrashing about in a crazed fury. The screen goes black, end of movie. Peeta’s brain gets unwashed, but very slowly, and he’s an unreliable ally throughout Mockingjay Part II – at one point he kills a colleague by pushing him into a vast sea of oily lava. I won’t spoil – or do I mean improve – the ...”

“... trying to prevent the villains from stealing a biological weapon. Captain America is there, and Black Widow (Scarlett Johansson), Falcon (Anthony Mackie), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen). Between them, they can fly, mechanically calibrate distances, drop bombs, kickbox like maniacs, and shoot fire from their fingers, but they have ...”

“... driver in Kirill’s place. The scene takes place in a public baths. You get the idea: two men in black with short sharp knives and an intended victim with no clothes on: lots of blood and grunting; two deaths, one gouged eye; one unlikely survivor. It can’t be that Cronenberg has lost control here, since the scene is beautifully choreographed. But what ...”

“... eerie and memorable in the movie has to do with this head-on approach. The colours shift into near black-and-white, or into faded, altered versions of shades we think we know. Figures vanish into a fog, only bent silhouettes remaining, as if they were slim relics of a Henry Moore exhibition. The screen goes dark. The screen goes white. A traffic light becomes ...”

“... five years for manslaughter and committed suicide soon after his release. The film opens over black and white footage of police rounding up and beating up gays in the early 1970s. Newspaper headlines fill the screen, the effect is that of an old-time newsreel. Then we cut to Sean Penn as Harvey Milk, looking drained and sorrowful and a little scared, but ...”

“... this decision, as about almost everything else, and his recent movies – Femme Fatale (2002), The Black Dahlia (2006), Redacted (2007), Passion (2012) – are never less than interesting. De Palma has some good comments on the Hollywood system. ‘People are paid a lot of money to get you to do what they want you to do.’ This is by way of excuse for his ...”