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The ashtrays worry me

Emilie Bickerton: Eric Rohmer, 19 March 2015

Eric Rohmer: Biographie 
by Antoine de Baecque and Noël Herpe.
Stock, 605 pp., €29, January 2014, 978 2 234 07561 0
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Friponnes de porcelaine 
by Eric Rohmer.
Stock, 304 pp., €20, January 2014, 978 2 234 07631 0
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... was on 18th-century physics. Over the next half-dozen years he made some twenty documentaries, on Victor Hugo, Pascal, Louis Lumière, Edgar Allan Poe, urban architecture, the evolution of the French language and a weirdly captivating programme on cement. It helped that Rohmer was always curious: Big Ears was one of his nicknames, for the enjoyment he ...

Gutted

Steven Shapin, 30 June 2011

A Modern History of the Stomach: Gastric Illness, Medicine and British Society, 1800-1950 
by Ian Miller.
Pickering and Chatto, 195 pp., £60, May 2011, 978 1 84893 181 7
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... religious idiom, a life in accord with God’s natural laws. (‘Gluttony punishes the glutton,’ Victor Hugo wrote in Les Misérables: ‘Indigestion is charged by God with enforcing morality on the stomach.’) Relax, take a walk in the country, eat moderately and slowly, avoid intoxicating drinks and stimulants, get what’s now called the work-life ...

Diary

Sanjay Subrahmanyam: Another Booker Flop, 6 November 2008

... the ‘autobiography’ of an Indian untouchable woman appears in French using expressions from Victor Hugo. The falsity in The White Tiger goes much further. It means having a character who cannot read Urdu, and certainly has no notion of Persian, tell us that his favourite poets include Jalaluddin Rumi and Mirza Ghalib. It means having someone who ...

Walking through Walls

Graham Robb: The world’s first anti-hero rogue cop, 18 March 2004

Memoirs of Vidocq: Master of Crime 
AK Press, 370 pp., £14, July 2003, 1 902593 71 5Show More
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... with table manners. Balzac pumped him for information on organised crime and political espionage. Victor Hugo used him as a model for Jean Valjean, the reformed convict of Les Misérables, and also, recognising Vidocq’s versatility, for Valjean’s maniacally principled pursuer, Inspector Javert. In the 1830s and 1840s, Vidocq was called back to the ...

Vietnam’s Wars

V.G. Kiernan, 3 December 1981

Vietnam: The Revolutionary Path 
by Thomas Hodgkin.
Macmillan, 433 pp., £25, July 1981, 0 333 28110 1
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Death in the Ricefields: Thirty Years of War in Indochina 
by Peter Scholl-Latour, translated by Faye Carney.
Orbis, 383 pp., £6.95, September 1981, 0 85613 342 6
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Hollywood’s Vietnam 
by Gilbert Adair.
Proteus, 192 pp., £7.95, August 1981, 0 906071 86 0
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... are the novel sects that sprang up out of Western intercourse, hybrid faiths, one of them with Victor Hugo ensconced in its pantheon. Possibly the same receptivity, of a people perpetually forced by necessity to innovate and borrow, helped to make Vietnam in our century so open to Marxism. But the events of the French occupation may suggest that ...

Charmer

Sheila Fitzpatrick: Stalin’s Origins, 1 November 2007

Young Stalin 
by Simon Sebag Montefiore.
Weidenfeld, 397 pp., £25, May 2007, 978 0 297 85068 7
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... this, his induction, first into the world of literature forbidden by the seminary, from Zola and Victor Hugo to Tolstoy and Saltykov-Shchedrin, and then into the world of revolution. While Stalin was still a seminarian (he dropped out at the age of 20), and before he became known as a revolutionary, he made something of a reputation as a poet, writing ...

A National Evil

Jonah Goodman, 30 November 2023

... the afflicted were one of the sights. ‘On comprend les crétins dont [pullule] la Suisse,’ Victor Hugo wrote from Bern in 1839. ‘Les Alpes font beaucoup d’idiots.’ Mark Twain, in 1880, reported the words of an English traveller: ‘I have seen the principal features of Swiss scenery – Mount Blanc and the goitre – now for ...

Her way of helping me

Hugo Young, 6 December 1990

Listening for a Midnight Tram: Memoirs 
by John Junor.
Chapmans, 341 pp., £15.95, October 1990, 9781855925014
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... Minister. But that was only the start of such dalliance. The Express proprietor at the time was Victor Matthews, a builder and property-developer. Matthews was apparently desperate for an honour, and not best pleased when Junor got one first. But he didn’t have to wait too long. For the editor went selflessly to work among his cronies. The Prime ...

Gurney’s Flood

Donald Davie, 3 February 1983

Geoffrey Grigson: Collected Poems 1963-1980 
Allison and Busby, 256 pp., £9.95, November 1982, 0 85031 419 4Show More
The Cornish Dancer 
by Geoffrey Grigson.
Secker, 64 pp., £4.95, June 1982, 0 436 18805 8
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The Private Art: A Poetry Notebook 
by Geoffrey Grigson.
Allison and Busby, 231 pp., £9.95, November 1982, 0 85031 420 8
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Blessings, Kicks and Curses: A Critical Collection 
by Geoffrey Grigson.
Allison and Busby, £9.95, November 1982, 0 85031 437 2
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Collected Poems of Ivor Gurney 
edited by P.J. Kavanagh.
Oxford, 284 pp., £12, September 1982, 0 19 211940 0
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War Letters 
by Ivor Gurney, edited by R.K.R. Thornton.
Mid-Northumberland Arts Group/Carcanet, 271 pp., £12, February 1983, 0 85635 408 2
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... behind them, are these: ‘Short History of Old Art’, ‘Perhaps So’, two translations from Victor Hugo, ‘The Dying of a Long Lost Lover’, ‘Hill of the Bees’, ‘A Myth Enacted’, ‘Slow Bell from the High Hill’, ‘John Hunter’s Canal’, ‘The Lawn of Trees and Rocks’, ‘Quelle Histoire’, and (an unusual exertion of ...

Australia’s Nineties

Clive James, 15 July 1982

Christopher Brennan: A Critical Biography 
by Axel Clark.
Melbourne, 358 pp., £20, May 1980, 0 522 84182 1
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... he wrote as if his modern French models had never existed. More than that, he wrote as if Victor Hugo had never existed. The tightly focused language which Eliot and Pound discovered and coveted in the French moderns was simply not what attracted Brennan. The proof is in his unshaken capacity to compose with the English equivalent of the full ...

No Company, No Carpets

Tim Parks: Tolstoy v. Tolstaya, 26 April 2018

Tolstoy and Tolstaya: A Portrait of a Life in Letters 
by Andrew Donskov, translated by John Woodsworth, Arkadi Klioutchanski and Liudmila Gladkova.
Ottawa, 430 pp., £48, May 2017, 978 0 7766 2471 6
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... public. The most difficult thing to come to terms with, then, is that Tolstoy did not believe, as Victor Hugo more conveniently did, that a commitment to social or spiritual progress could be achieved through huge novels earning vast advances and aimed at entertaining the middle classes. If anything, Tolstoy had come to see literature, with its ...
... while others were calling it a ‘breakthrough’. What would they have made of the nude Victor Hugo in plaster in the Luxembourg Garden? Or ‘The Kiss’ (‘Rather too suggestive’?) in marble. Unfailingly, one would have heard judgments as to what was permissible and impermissible in art. James himself, however unversed in politics he might ...

On high heels up Vesuvius

Anita Brookner, 21 July 1994

Rage and Fire: A Life of Louise Colet – Pioneer Feminist, Literary Star, Flaubert’s Muse 
by Francine du Plessix Gray.
Hamish Hamilton, 432 pp., £20, July 1994, 0 241 13256 8
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... She was not so much a Muse, though that was how she was known, as a confidante of great men: Victor Cousin, Hugo, Mussel, Vigny. Yet she lacked a sense of self-preservation; she could have lived with either Cousin or Vigny and been comfortable and cared for. In fact, she was fallible and perhaps less than ...

Genius in Its Pure State

Mark Ford, 22 May 1997

... Janet records the young Roussel predicting that his glory would one day outshine that of Victor Hugo or Napoleon, that he felt himself the equal of Dante and Shakespeare. His final testament more modestly hopes that, ‘faute de mieux’, his books may one day gain some measure of posthumous recognition. It was while composing La Doublure, which ...

Hamlet in the Prison of Arden

Graham Bradshaw, 2 September 1982

Hamlet 
edited by Harold Jenkins.
Methuen, 592 pp., £12.50, April 1982, 9780416179101
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The Taming of the Shrew 
edited by Brian Morris.
Methuen, 396 pp., £12.50, December 1981, 0 416 47580 9
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Richard III 
edited by Antony Hammond.
Methuen, 396 pp., £12.50, December 1981, 0 416 17970 3
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Much Ado about Nothing 
edited by A.R. Humphreys.
Methuen, 256 pp., £11.50, November 1981, 0 416 17990 8
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... Pirandellian tension, the feeling that Hamlet never belongs in the play he inhabits but seems, as Victor Hugo put it, like a somnambulist. He addresses the Western imagination with extraordinary power, but never addresses his own situation with as much intellectual acuity as we might confidently expect from a Banquo. If this is true, it is not surprising ...

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