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“... The earliest poem collected in Edgar Allan Poe & the Juke-Box, Alice Quinn’s edition of Elizabeth Bishop’s miscellaneous drafts and fragments, opens: I introduce Penelope Gwin, A friend of mine through thick and thin, Who’s travelled much in foreign parts Pursuing culture and the arts. ‘And also,’ says Penelope ‘This family life is not for me ...”

“... shaped by the preoccupations of the time; no doubt Susan Howe’s declaration in The Birth-mark (1993) that Dickinson’s ‘manuscripts should be understood as visual productions’ will at some point in the future seem as wholly of its time as Todd and Bingham’s blithe imposition of titles and removal of dashes. The Gorgeous Nothings is evidence of ...”

“... In July​ 1917, shortly after his arrival at Craiglockhart War Hospital for neurasthenic officers on the outskirts of Edinburgh, Wilfred Owen drafted the first of the five poems published during his lifetime. ‘Sing me at dawn,’ it exclaims,                             but only with your laugh:Like sprightly Spring that laugheth into leaf;Like Love, that cannot flute for smiling at Life ...”

“... The French Writer Raymond Roussel was 56 years old when he left Paris for Sicily in the early summer of 1933. It seems clear he had no intention of ever returning to France. His theatrical extravaganzas, legendary generosity and eccentric lifestyle had consumed the bulk of his colossal fortune. He was addicted to drugs. One morning in his hotel in Palermo he opened a vein in his wrist in the bath, but immediately summoned help ...”

“... The first person​ to annotate a poem by T.S. Eliot was T.S. Eliot. His notes on The Waste Land (1922) were composed partly so that his 433-line poem could be issued by his American publishers Boni & Liveright as a book, and partly, as he recalled in ‘The Frontiers of Criticism’ (1956), ‘with a view to spiking the guns of critics of my earlier poems who had accused me of plagiarism ...”