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In Bexhill

Peter Campbell: Unpopular Culture, 5 June 2008

... looks back beyond. Many of the paintings – Jack Smith’s black-grey-brown After the Meal, Ruskin Spear’s dusky Hammersmith Broadway, Victor Pasmore’s misty Riverside Gardens, Paul Nash’s bleak East Anglian sea wall in Promenade – are sadder and more solemn than the photographs. Sickert’s brown fog and a Whistlerian mist creep into ...

Feast of Darks

Christine Stansell: Whistler, 23 October 2003

Whistler, Women and Fashion 
by Margaret MacDonald and Susan Grace Galassi et al.
Yale, 243 pp., £35, May 2003, 0 300 09906 1
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Whistler and His Mother: An Unexpected Relationship 
by Sarah Walden.
Gibson Square, 242 pp., £15.99, July 2003, 1 903933 28 5
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... but he didn’t seem to mind so long as he got attention. The disastrous 1877 libel suit with Ruskin, who had ridiculed one of his paintings, bankrupted him – he won a farthing’s damages, but no costs – but it also brought him publicity across two continents as a fighter for modern art, an American who dared to take on the British establishment. A ...

Phantom Gold

John Pemble: Victorian Capitalism, 7 January 2016

Forging Capitalism: Rogues, Swindlers, Frauds and the Rise of Modern Finance 
by Ian Klaus.
Yale, 287 pp., £18.99, January 2015, 978 0 300 18194 4
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... evangelists like Carlyle, agonised agnostics like Matthew Arnold, Arts and Crafts socialists like Ruskin and Morris, and vegetarian Fabians like Shaw and the Webbs accused capitalism of betraying what was best for all by bringing out the worst in each. In Victorian fiction its heroes are few, and overshadowed by its villains. Disraeli’s novels glorified ...

Rainbows

Graham Coster, 12 September 1991

Paradise News 
by David Lodge.
Secker, 294 pp., £14.99, September 1991, 0 436 25668 1
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... what may, in socio-historical terms, be the first post-Jumbo Jet novel. Just as Wordsworth and Ruskin in the last century predicted and fulminated against the social implications of the new railways’ capacity for moving hordes of people into somewhere like the Lake District, so a newer mass translation of the populace is behind Paradise News: nowadays ...

Diary

Alison Light: Raphael Samuel, 2 February 2017

... Boon’ was right up my street. Raphael was there, sitting on the floor in the packed main hall of Ruskin College where he taught adult students, amid dozens of historians from both inside and outside the university. He looked like the eternal student himself in jeans and bomber jacket, long hair flopping over his eyes as he smoked a roll-up. ‘A bit of an ...

Resurrecting the Tudors

John Pemble: James Anthony Froude, 23 May 2013

James Anthony Froude: An Intellectual Biography of a Victorian Prophet 
by Ciaran Brady.
Oxford, 500 pp., £45, May 2013, 978 0 19 966803 8
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... Writing history was therefore a sacramental act, a means to rediscovering God. Carlyle, Ruskin said, had been ‘born in the clouds and struck by lightning’. To Froude, he was ‘a Calvinist without the theology’, Scotland’s new John Knox, ‘whose voice was like the sounding of ten thousand trumpets’. In ...

An English Vice

Bernard Bergonzi, 21 February 1985

The Turning Key: Autobiography and the Subjective Impulse since 1800 
by Jerome Hamilton Buckley.
Harvard, 191 pp., £12.75, April 1984, 0 674 91330 2
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The Art of Autobiography in 19th and 20th-Century England 
by A.O.J. Cockshut.
Yale, 222 pp., £10.95, September 1984, 0 300 03235 8
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... published nearly twenty-five years ago, remains an indispensable pioneering work; more recently John Pilling’s Autobiography and Imagination provided some interesting studies of particular autobiographies by eminent Anglophone or Continental writers but without much discussion of the nature of autobiographical form. Jerome Hamilton Buckley and ...

The Schoolmen ride again

Richard Mayne, 15 May 1980

Cinema: A Critical Dictionary: The Major Film-Makers 
edited by Richard Roud.
Secker, 1120 pp., £25, February 1980, 9780436428302
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The Dream that Kicks: The Prehistory and Early Years of Cinema in Britain 
by Michael Chanan.
Routledge, 356 pp., £12.50, January 1980, 0 7100 0319 6
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... Pietro Germi, Anatole Litvak, Jean Painlevé, Gillo Pontecorvo, Nicholas Roeg, George Rouquier, John Schlesinger, Henri Storck, John Sturges and Arne Sucksdorff. And what are we to make of those who are mentioned in the text, but not favoured with individual entries? Pioneers like the Lumière brothers; veterans like ...

Diary

Andrew Brighton: On Peter Fuller, 7 November 1991

... of his life, after twenty years of writing, and then to read a reactionary sermon from his book on Ruskin. It is not simply that a whole generation of diverse cultural discussion has hardly surfaced on the BBC: those now in charge are toadies who have been willing to operate such bans without public protest, and who have been required to construct a discourse ...

Retrochic

Keith Thomas, 20 April 1995

Theatres of Memory. Vol. I: Past and Present in Contemporary Culture 
by Raphael Samuel.
Verso, 479 pp., £18.95, February 1995, 0 86091 209 4
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... as a founder and moving spirit of History Workshop, originally a sort of democratic teach-in at Ruskin College, to which workers and students came with their sleeping-bags, later institutionalised as History Workshop: A Journal of Socialist and Feminist Historians; nowadays it bears the respectable imprint of the Oxford University Press and has just dropped ...

So Very Silent

John Pemble: Victorian Corpse Trade, 25 October 2012

Dying for Victorian Medicine: English Anatomy and Its Trade in the Dead Poor, c.1834-1929 
by Elizabeth Hurren.
Palgrave, 380 pp., £65, December 2011, 978 0 230 21966 3
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Dickens and the Workhouse: Oliver Twist and the London Poor 
by Ruth Richardson.
Oxford, 370 pp., £16.99, February 2012, 978 0 19 964588 6
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... was always controversial. Dickens was only the first of many critics. Carlyle, Disraeli, Kingsley, Ruskin, Morris, Shaw, Sidney and Beatrice Webb, Churchill, Beveridge – all arraigned it as morally indefensible. It punished not only the ‘undeserving’ poor (the ‘residuum’ or ‘underclass’ of incorrigibles) but the ‘deserving’ poor too – those ...

Victorian Vocations

Frank Kermode, 6 December 1984

Frederic Harrison: The Vocations of a Positivist 
by Martha Vogeler.
Oxford, 493 pp., £27.50, September 1984, 0 19 824733 8
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Leslie Stephen: The Godless Victorian 
by Noël Annan.
Weidenfeld, 432 pp., £16.50, September 1984, 0 297 78369 6
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... of others in Jamaica: it may seem surprising that such men as Dickens, Tennyson, Kingsley and Ruskin took the opposite view – Carlyle indeed called Harrison’s party ‘nigger-philanthropists’. He wanted Home Rule for Ireland, and later stood as a Parliamentary candidate on Gladstone’s side. He saw that the suspension of habeas corpus was not the ...

Trains in Space

James Meek: The Great Train Robbery, 5 May 2016

The Railways: Nation, Network and People 
by Simon Bradley.
Profile, 645 pp., £25, September 2015, 978 1 84668 209 4
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... of railways into spaces where they had previously been completely absent, preservationists like John Ruskin and William Wordsworth (‘Is then no nook of English ground secure/From rash assault?’). The agents of Network Rail, who are building the Ordsall Chord, can and do portray themselves playing the Stephenson role. They claim originality: the ...

Piperism

William Feaver: John and Myfanwy Piper, 17 December 2009

John Piper, Myfanwy Piper: Lives in Art 
by Frances Spalding.
Oxford, 598 pp., £25, September 2009, 978 0 19 956761 4
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... a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John Piper. Normally, his stained glass seethes, particularly in Coventry Cathedral, where a Piper sunburst behind the boulder that serves as a font irradiates a great wall of clunky fenestration. In Westminster though, in a building studded with fanciful ...

Boys in Motion

Nicholas Penny, 23 January 2020

... the one that has the best claim to having been painted entirely by Verrocchio is the so-called Ruskin Madonna in the National Gallery of Scotland. It was not unusual to represent the stable in which Christ was born as part of a ruined Roman building, but the architectural setting here is of outstanding beauty, with the complex linear perspective of the ...

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