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“... capitalisation required. It was a serious thing, trying to be a writer. My ex-boyfriend, Robert, had just won a national book contest. When I first saw David, he was kneeling next to Robert’s chair, looking up at him. I thought he looked like a little bird waiting to be fed. But David noticed me in a different ...”

“... that he had to be housed in a derelict tennis court, had torn it from its socket and eaten it); Robert Crabbe had lost several toes, which I did not think too serious until he explained they were required for balance (I understood balance in the negative context of not having enough of it, hence those shameful safety wheels fastened to my bicycle).At some ...”

“... planting schemes and restored municipal beds. Unnoticed, rough sleepers in thin bags utilise the stone terrace of the park café that has been shut for years. Late risers, having nothing much to rise for, burrow deep into dismal kapok-stuffed cocoons, while dog-accompanists use ballistic/prosthetic devices to hurl soggy yellow-green tennis balls for their ...”

“... or less unique.’ Hamsun could be as bewilderingly stochastic in person as his characters were. Robert Ferguson, his intelligent biographer, tells a story of Hamsun visiting a hotel in Nice. Barking at staff in Norwegian and refusing to tip, he was quickly the most unpopular guest in the hotel. Then at the end of his stay, he delighted everyone by ...”

“... with the San Francisco Review in 1962. Davidson quotes two lines from ‘Blood from the Stone’, the first poem Oppen wrote after the dream, and the tenth of some forty in the new book, most of them bigger, all of them less cagey, than anything in Discrete Series: Everything I am is Us. Come home. In Davidson’s gloss, ‘the early 1960s in ...”

“... I wonder what you think of these?’Tolkien wrote many letters to his Catholic correspondents, Robert Murray, a Jesuit priest, and Peter Hastings, who owned a religious bookshop in Oxford, attempting to prove that this fake universe he had constructed was neither heretical nor blasphemous but entirely harmonious with orthodox theology. Where had orcs come ...”

“... periodically reverts to a hirsute beast in Virginie Despentes’s torrid first-person rewrite of Robert Louis Stevenson (its title winningly translated as ‘Hairs on Me’). The creatures are present because short stories make it their business to speculate about an otherness they do not have time to investigate, and animals are far-reaching analogies. They ...”

“... how he tried to convince Liebowitz, who made her reputation with portrait assignments for Rolling Stone, that she, too, should do joiners. They worried her because ‘they had extended the limitations and she was now working under some artificial limitations.’ But she also felt that they were his style. To copy the technique would be unoriginal. For ...”

“... records or laying plans to snuff her out. Prominent among these writers are Milo Speriglio and Robert Slatzer (a bit of a cross-category-turn this last one: he claims to have been married to Monroe for three days). There is a new addition to this group, a hysterical book by Donald H. Wolfe which may just prove to be the conspiracy sub-genre’s reductio ad ...”

“... accounts for the civil war of the 15th.’ ‘Discuss,’ as they say in exam papers. Lawrence Stone contributes a long article on ‘The Residential Development of the West End of London in the 17th Century’, which combines the two subjects on which he is always at his best – architecture and the aristocracy. Much land to the west of the City passed ...”

“... windows, and kicked in the metal, bawling and spitting at the alarmed passengers cowering inside. Robert Johnston’s murder, in the broad daylight of Rottenrow, brought a great deal of feeling against Irish Catholics and their Glaswegian offspring, some of which has never entirely gone. The riot in the East End seemed, to many, like the behaviour of a ...”

“... to the Freeze generation. The names he mentions, especially Josef Beuys and Bruce Nauman, but also Robert Gober, Ashley Bickerton and Jeff Koons, certainly make sense when we look at much of the work on show in Sensation – although, naturally enough, everything that the Young British Artists (more affectionately known as YBAs) absorbed has been given a ...”

“... differently.’Analogy – Nero for George I, say, or the Roman imperial enforcer Sejanus for Sir Robert Walpole – was one way of speaking in order to be understood differently. Others were allusion, ellipsis, circumlocution, irony (including mock forms such as mock epideixis, elaborately praising something unpraiseworthy so as to undermine it) and ...”

“... NoViolet Bulawayo​ intended to write a non-fiction account of the 2017 coup that deposed Robert Mugabe and made Emmerson Mnangagwa, his one-time deputy, the third president of Zimbabwe. But she couldn’t keep up with the changing political situation. There was a sense of bitterness: the coup wasn’t the new beginning many had hoped for ...”