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Nabokov’s Dreams

John Lanchester, 10 May 2018

... performances which is highly visible, highly stylised, and which I find dull and narrow’, as Michael Wood put it – is not present. Instead we find him struggling with sleep, dreaming about appointments in museums and zoology departments (an entire category of what he called ‘professional dreams’) and remembering his father: ‘It is odd that ...
Cross Channel 
by Julian Barnes.
Cape, 211 pp., £13.99, January 1996, 0 224 04301 3
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... time, his narrator Braithwaite falls into a witty, hard-boiled, smart-arse tone (like that of his wood-worm who stows away aboard the Ark, or of the private eye Duffy in the crime novels he publishes as ‘Dan Kavanagh’), thus effectively wrecking the parallel, which it is part of Barnes’s scheme to draw, between Braithwaite and the shy and bumbling ...

In the Shady Wood

Michael Neill: Staging the Forest, 22 March 2018

The Shakespearean Forest 
by Anne Barton.
Cambridge, 185 pp., £75, August 2017, 978 0 521 57344 3
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... as ‘les quater Chivalers de la forrest salvigne’, emerged from an elaborate artificial wood, consisting of ‘12 hawthorns, 12 oaks, 12 maples, 10 birches, 16 dozen fern roots and branches, 60 broom stalks, and 16 furze bushes’. A century later the design for Lord Hay’s Masque – almost certainly devised by the pre-eminent artist of the ...

The Second Resolution Question

Owen Bennett-Jones: Post-Invasion Iraq, 1 June 2017

Iraq: The Cost of War 
by Jeremy Greenstock.
Heinemann, 467 pp., £25, November 2016, 978 1 78515 125 5
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... legally necessary. Wilmshurst’s line manager, the Foreign Office’s chief legal adviser, Sir Michael Wood, shared her view that a second resolution was legally necessary. But Wood did not resign. He briefly considered it, he told Chilcot, but decided not to follow Wilmshurst. ‘Questions of conscience are very ...

Reasons to Comply

Philippe Sands: International law, 20 July 2006

The Limits of International Law 
by Jack Goldsmith and Eric Posner.
Oxford, 262 pp., £17.99, February 2005, 0 19 516839 9
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War Law: International Law and Armed Conflict 
by Michael Byers.
Atlantic, 214 pp., £16.99, April 2005, 1 84354 338 9
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... mechanism was non-binding. That is a major change, obviously relevant to issues of compliance. Michael Byers’s War Law focuses on the two general sets of rules relating to the use of force: those governing the circumstances in which military force may be used (the jus ad bellum), and those governing the methods and means of warfare (the jus in ...

Homo Narrator

Inga Clendinnen, 16 March 2000

Mirror Talk: Genres of Crisis in Contemporary Autobiography 
by Susanna Egan.
North Carolina, 275 pp., £39.95, September 1999, 0 8078 4782 8
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... performative utterance indeed, and clearly intended to repel all invaders. (It didn’t. See what Michael Wood does with it in The Magician’s Doubts, a book, astoundingly, worthy of its subject.) Hidden motives and additional adverbs were optional, but the autobiographer’s central assertion used to be: ‘here I uniquely, truthfully stand, and no one ...

11 September

LRB Contributors, 4 October 2001

... cast the single vote against relinquishing to this unelected President the power to make holy war. Michael Rogin Paris As the historian David Kennedy has remarked, terrorism is different from, and worse than, war. Wars have aims that might someday be achieved, thus bringing about an end to hostilities, but terrorism has no such aims. The object of terror is ...

Hitchcocko-Hawksien

Christopher Prendergast, 5 June 1997

Projections 7 
edited by John Boorman and Walter Donohue.
Faber, 308 pp., £11.99, April 1997, 0 571 19033 2
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Cahiers du cinema. Vol. I: The Fifties. Neo-Realism, Hollywood, New Wave 
edited by Jim Hillier.
Routledge, 312 pp., £65, September 1996, 0 415 15105 8
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Cahiers du cinema. Vol. II: The Sixties. New Wave, New Cinema, Re-evaluating Hollywood 
edited by Jim Hillier.
Routledge, 363 pp., £65, September 1996, 0 415 15106 6
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Cahiers du cinema. Vol. III: 1969-72. The Politics of Representation 
edited by Nick Browne.
Routledge, 352 pp., £65, September 1996, 0 415 02987 2
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... soundtrack by an excerpt from the St Matthew Passion. Is Casino therefore a movie about movies? Michael Wood described it in these pages as an ‘essay’, offering ‘brooding considerations of the big questions’, the biggest being why things always go wrong (‘In the end we fucked it all up,’ is how Rothstein’s sidekick, Nicky Santori, puts ...

Going Against

Frank Kermode: Is There a Late Style?, 5 October 2006

On Late Style: Music and Literature Against the Grain 
by Edward Said.
Bloomsbury, 176 pp., £16.99, April 2006, 9780747583653
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Late Thoughts: Reflections on Artists and Composers at Work 
edited by Karen Painter and Thomas Crow.
Getty, 235 pp., $40, August 2006, 0 89236 813 6
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... to other cases. Said’s book consists of lectures and other scattered pieces, deftly assembled by Michael Wood, and not all bearing directly on the topic, though it is always near at hand. The most surprising contribution is an essay on Richard Strauss, who certainly had spent a long life studying ‘the possibilities’. He set some well-known stylistic ...

Two Poems

Michael Longley, 7 March 2013

... ladder Scraping the cherry tree – We find in Silvano’s Sloping upper meadow Close to the wood, regal Among seeding grasses, An orchid, each lower lip A streamer, extroversion Requiring subtle breezes, A name to silence cuckoo And frog, lizard orchid. II Did the muddy boots of Tommies Really bring back to England From the Great War lizard-orchid Seeds ...

How to Prepare for Debates

Hal Foster: Rasta for Dada, 22 October 2020

Last Loosening: A Handbook for the Con Artist and Those Aspiring to Become One 
by Walter Serner, translated by Mark Kanak.
Twisted Spoon Press, 189 pp., £15, July, 978 80 86264 45 5
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At the Blue Monkey: 33 Outlandish Stories 
by Walter Serner, translated by Erik Butler.
Wakefield, 192 pp., £13.99, December 2019, 978 1 939663 46 7
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... assumes a Hobbesian worldview: ‘Life is a warfare against the malice of others.’ Anticipating Michael Corleone, Serner offers a warning: ‘Get to know your enemies personally.’ But he leavens the advice too: ‘Often you’ll find they make the best companions.’Lesson four: self-control is key and your act is everything, but you need back-up if both ...

Two Poems

Michael Hofmann, 27 July 2017

... dogs no ball games) and the barranca, the sanction and the delimited amenity. Mindless wood-pigeons bleat like unanswered telephones. Nothing so douce as sandstone in a granite town, a town monstered by gulls and sunspots and unkempt dogs, softened in any case from when I lived here fifty years ago, when, taking my life in my hands, I walked to ...

H.H., 95

Michael Hofmann, 4 March 2021

... movements of the hospice district.Irrelevance or irritation. Meals or wheels.The gaspy whistle of wood pigeons’ wingsand their little-brained Roo-coo-cooanaesthetises another summer.A bee taps against a pane.The draught crosses from the open picture windowto the open veranda door, ‘your papers, please.’Volunteers and a few veterans.All ...

Adipose Tumorous Growths and All

Kevin Kopelson, 18 May 2000

Franz Liszt. Vol. III: The Final Years, 1861-86 
by Alan Walker.
Faber, 594 pp., £45, February 1998, 0 571 19034 0
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The Romantic Generation 
by Charles Rosen.
HarperCollins, 720 pp., £14.99, March 1999, 0 00 255712 6
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Franz Liszt: Selected Letters 
edited by Adrian Williams.
Oxford, 1063 pp., £70, January 1999, 0 19 816688 5
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... in and of itself – all too often ‘a gesture of admiring incomprehension’, to quote Michael Wood – is rather meaningless. Unfortunately, Walker can’t tell how, or at least he can’t tell me. (Rosen can and does.) He simply supplies Schopenhauer’s definition (the talented hit targets others can’t reach: the genius ‘hits a target ...

Big toes are gross

Hal Foster: Surrealism's Influence, 6 June 2024

Why Surrealism Matters 
by Mark Polizzotti.
Yale, 232 pp., £16.99, March, 978 0 300 25709 0
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... is not outside the world he criticises, he is part of it, and so are his friends and family,’ Michael Wood wrote in the LRB of 7 September 2000: ‘Social arrangements are foolish and apparently fragile, because they are arbitrary and groundless. Everything about them could be different, and is different in other times and places … And yet it is ...

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