Search Results

“... trotz alledem/Dass rings der Mensch die Bruderhand/dem Menschen reicht trotz alledem.’ It’s Robert Burns. ‘It’s coming yet, for a’ that,/That Man to Man the warld o’er/Shall brothers be for a’ that.’ The poet who translated it, Ferdinand Freiligrath, was soon driven out of Germany into exile. He was one of countless thousands across Europe ...”

“... easy to exaggerate the international power of the Jews,’ the Foreign Office Under-Secretary Lord Robert Cecil said. Segev quotes a character in The Thirty-Nine Steps airing the common prejudice that ‘the Jew is everywhere . . . He’s the man who is ruling the world just now.’ Although Zionist leaders could turn these anti-semitic notions to their own ...”

“... press would immediately label as evidence of kleptocracy if they happened in another country. Robert Jenrick remains housing secretary despite admitting ‘apparent bias’ in overruling planning inspectors and the local council to approve Richard Desmond’s Westferry Printworks development – 24 hours before the introduction of hefty new levies that ...”

“... to the households of wealthy Catholic families in Lancashire. This goes back to the will of Alexander Hoghton, who in 1581 left his musical instruments and his ‘play clothes’ to Sir Thomas Hesketh along with a request that he treat ‘William Shakeshafte’ well. Honigmann argues that Shakeshafte was Shakespeare, and that he might have passed from ...”

“... and the other artists who could be considered Yiddish modernists – the painters Nathan Altman, Robert Falk and, for a time, El Lissitzky, the composers Lev Pulver and Moshe Milner, the writer who called himself Der Nister – were defined by the struggle to integrate these two tendencies. ‘Our first imprimatur is our modernism, our leftism and our ...”

“... expression of Britain’s shifting ‘governing traditions’. Both quote from the memoirs of John Robert Clynes, Labour leader between 1921 and 1922 and lord privy seal in 1924. Reflecting on meeting George V, Clynes could ‘not help marvelling at the strange turn of Fortune’s wheel’ that had brought him and his colleagues ‘to this pinnacle beside the ...”

“... 20 May 1910. The king’s sister-in-law, the empress consort of Russia, Maria Feodorovna, wife of Alexander III, was there. So was the Archduke Franz Ferdinand, heir apparent to the aged Emperor Franz Joseph of Austria. And so was Edward’s least favourite nephew, Wilhelm II of Germany. Wilhelm loved and admired the British and they loved the kaiser: to ...”

“... It was reading Robert Lowell that brought me to poetry at the age of 19, in 1976. I had borrowed a friend’s omnibus edition of Life Studies and For the Union Dead, and something in me said: ‘This is it!’ I don’t remember the poem I first had that response to, but most likely it was in Part IV of Life Studies, ‘Dunbarton’ or ‘For Sale’, or perhaps ‘Waking in the Blue ...”

“... expected to find one. But there were ten: one succinct W.H.D. Rouse prose translation and one Robert Graves, in prose and song, both in paperback; two blank verse Robert Fagles in solid covers; one rhythmic Richmond Lattimore with a lengthy new introduction;* and three hardback copies of the new Stephen Mitchell ...”

“... Froude’s Life of Carlyle and his edition of Carlyle’s Reminiscences, a hundred years since Alexander Carlyle’s New Letters and Memorials of Jane Welsh Carlyle, Froude’s posthumous My Relations with Carlyle, and Alexander Carlyle and Sir James Crichton-Browne’s The Nemesis of Froude. Everyone has long since ...”

“... folk arts and crafts with Art Nouveau stylisations, and a group of young men (Sergei Diaghilev, Alexander Benois, Leon Bakst) now began to see peasant art as falling in line with the new European taste for the exotic and the primitive. The Ballets Russes, arising from an attempt to create a fictive Russian past using artistic techniques that would appeal to ...”

“... in the wrong place. In his elegant and meditative memoir, Silent Dialogues, Nemerov’s son Alexander attempts to tease out the connections between his father’s poetry and his aunt’s photography and the tensions between their two personalities: The world for my father responded only to his intelligence … Arbus, by contrast, could see the world as ...”

“... I bought from him more than ten years ago, maybe fifteen years ago, which I first saw with Robert Armstrong in late December 1980 in his studio in Gorey, Co. Wexford, rests against the wall of the room where I work. We are uneasy with each other now. The talk turns to Christmas and he mentions the sadness of Gorey and that extraordinary space he made ...”

“... His birth certificate, which Mantle hasn’t bothered to examine, shows that his father, William Robert Archer, lived at 48 Highbury Grove, then a North London boarding-house owed by one Mrs Rhoda Bowness. His occupation is given as ‘journalist’. The mother, Lola Howard Archer, lived separately over the Thames at a now-vanished address in Southwark ...”

“... today. Enough material there for a whole case-history. Notwithstanding the title of Paul Alexander Juutilainen’s recent film docubiog about Marcuse, Herbert the Hippopotamus, the slack-sphinctered pachyderm in LaRouche’s first sentence refers not to Marcuse, late consort of Korsch, Davis and the Weathermen, nor even to Lyndon Jr’s own ...”