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Inconstancy

Peter Campbell, 20 July 1995

Brancusi 
Pompidou Centre, August 1995Show More
Constantin Brancusi: A Survey of His work 
by Sanda Miller.
Oxford, 256 pp., £45, April 1995, 0 19 817514 0
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Constantin Brancusi Photographe 
by Elizabeth Brown.
Assouline, 79 pp., frs 99, April 1995, 2 908228 23 8
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Constantin Brancusi: 1876-1957 
by Margit Rowell and Ann Temkin.
Gallimard, 408 pp., frs 390, April 1995, 2 85850 819 4
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... not turn up in some context or other, from Picasso and the Douanier Rousseau to Nancy Cunard and Paul Poiret. Brancusi’s work was the first to turn to, still is perhaps, if you wished to point to a sculpture of essences. It was (until Henry Moore) the cartoonist’s favoured notion of modern sculpture – in 1926 the New Yorker published a drawing by Helen ...

Say no more about the climate

Tom Crewe: Impressionists in/on London, 26 April 2018

Impressionists in London: French Artists in Exile 1870-1904 
Tate Britain, until 7 May 2018Show More
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... themselves. Monet stumbled across Daubigny painting by the Thames, who put him in touch with Paul Durand-Ruel, that ‘Napoleon of dealers’, who had led a troop of 35 crates onto foreign soil and opened a gallery on New Bond Street; Durand-Ruel told Monet where he could find Pissarro, who was staying in Norwood with his mother and ...

Diary

Will Self: Walking out of London, 20 October 2011

... distance – becomes speedily distant. Behind the glass of the Feltham cop shop’s noticeboard, Paul Stephenson declared: ‘I am today an immensely proud policeman to be entrusted with leadership of the Met’ – but that was back in January 2009. We found the Travelodge in the eight-storey Axiom House, which forms an integral part of a shopping centre ...

Like a Manta Ray

Jenny Turner: The Entire History of Sex, 22 October 2015

The Argonauts 
by Maggie Nelson.
Graywolf, 143 pp., £23, May 2015, 978 1 55597 707 8
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... of reading Nelson is getting introduced to them: Catherine Opie and A.L. Steiner, Chris Burden and Paul McCarthy, Ryan Trecartin and Mike Kelley, Nao Bustamante and William Pope.L. Nelson spends less time on work that, in her view, is stupid, arrogant or exploitative. Names that come up in this context tend to be better known to mainstream audiences: Neil ...

A Gutter Subject

Neal Ascherson: Joachim Fest, 25 October 2012

Not Me: Memoirs of a German Childhood 
by Joachim Fest, translated by Martin Chalmers.
Atlantic, 316 pp., £20, August 2012, 978 1 84354 931 4
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... bag containing 13 books (the usual suspects plus Ernst Jünger, Schopenhauer, Nietzsche and Jean Paul) across the battlefields. When he was finally captured and sent to a temporary camp in France, his first punishment was having to hear the loudspeakers around the fence blasting out Schubert’s ‘Unfinished’ fortissimo for nine days and nights without ...

Lord Have Mercy

James Shapiro: Plague Writing, 31 March 2011

Plague Writing in Early Modern England 
by Ernest Gilman.
Chicago, 295 pp., £24, June 2009, 978 0 226 29409 4
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... of these plague-ridden times? Elizabethan and Jacobean dramatists delved into almost every dark corner of their audiences’ imaginations: murder, witchcraft, incest, civil war, apostasy. Playgoers saw rape victims stagger onstage and flinched as throats were slit and eyes gouged out. But one thing they never saw depicted was plague or its victims. Despite ...

Diary

Eliot Weinberger: Next stop, Forbidden City, 23 June 2005

... Gertrude Stein, whom Gu Cheng had never read.) He ultimately landed in a completely idiosyncratic corner of Surrealism. It is probably safe to say that Gu Cheng was the most radical poet in all of China’s 2500 years of written poetry. In 1988, Gu Cheng and Xie Ye moved to New Zealand. At first, he had a job at the University of Auckland, teaching ...

What is going on in there?

Hilary Mantel: Hypochondria, 5 November 2009

Tormented Hope: Nine Hypochondriac Lives 
by Brian Dillon.
277 pp., £18.99, September 2009, 978 1 84488 134 5
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... the eve of her wedding is a crawling (and well-founded) apprehension that disaster is around the corner. Our bodies make us know things our mind doesn’t quite know, or won’t accept: ambiguities in our situation, undeclared and forbidden loves and hatreds. How painful it would have been for Florence Nightingale’s family to face their mutual feints and ...

Whomph!

Joanna Biggs: Zadie Smith, 1 December 2016

Swing Time 
by Zadie Smith.
Hamish Hamilton, 453 pp., £18.99, November 2016, 978 0 241 14415 2
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... moment in the Inferno when Paolo and Francesca share ‘a kiss both looked-for and unbidden’ (in Paul Batchelor’s translation) as they read. That’s another thing: Smith’s literariness comes through here as something more amusing; fragments with titles such as ‘Speak, radio’ and ‘Brideshead unvisited’ open up the story to give a parallel ...

Between Victoria and Vauxhall

John Lanchester: The Election, 1 June 2017

... Perry Anderson writes about in his new book The H-Word.2 We have persuaded ourselves into a corner where governments believe they have no tools to address the shortfall in housing construction, especially social and low-cost housing. The best that successive governments have been able to do is to ‘leave it to the market’, even though the market has ...

Put a fist through it

Harriet Baker: The Hampstead Modernists, 8 October 2020

Circles and Squares: The Lives and Art of the Hampstead Modernists 
by Caroline Maclean.
Bloomsbury, 296 pp., £30, April, 978 1 4088 8969 5
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The See-Through House: My Father in Full Colour 
by Shelley Klein.
Chatto, 271 pp., £16.99, April, 978 1 78474 310 9
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... were invited to join Unit One, a group of painters, sculptors and architects brought together by Paul Nash to stand for ‘a truly contemporary spirit’ that would, he wrote in the Times, definitively bring together abstraction and Surrealism. But Maclean suggests that the decade’s innovation had already begun with the pink alabaster of Hepworth’s ...

Diary

Gaby Wood: Lucian Freud’s Printmaking, 1 June 2023

... I don’t want to miss anything that could be of use to me. I often put in what is round the corner from where I see it.’ This accounts for the strange torsion in some of the etched portraits. They look at first like mangled bits of realism but are in fact stealthy works of cubism: many selves, many facets, many moments in one. They display two kinds ...

Why all the hoopla?

Hal Foster: Frank Gehry, 23 August 2001

Frank Gehry: The Art of Architecture 
edited by Jean-Louis Cohen et al.
Abrams, 500 pp., £55, May 2001, 0 8109 6929 7
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... ever since (he redesigned it again in 1991-92). He took a modest bungalow on a corner lot, wrapped it in layers of corrugated metal and chain-link, and poked glass structures through its exterior. The result was a simple house extruded into surprising shapes and surfaces, spaces and views. It is justly admired, but it also serves ...

Restoring St. George’s

Peter Campbell: In Bloomsbury, 20 November 2003

... handsome, as became clear in the arguments fifty years ago about how much grime to wash off St Paul’s. The contrast on a bright day between the dirty-grey south portico of St George’s, which was cleaned decades ago, and the stark black and white of the untouched south face of the tower suggests that the clear picture one now has of the portico’s ...

Diary

Alan Bennett: What I did in 2000, 25 January 2001

... I always felt kindly towards him after learning that he would not stay in the same room as Paul Johnson. 15 March. There is generally a beggar sitting outside the back door of M&S (and likely to be one at the front as well). I will sometimes give them my change as I’m coming out, though I’m irritated at being asked for money as I’m padlocking my ...

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