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“... One might say that his was either the maddest form of sanity or the sanest form of madness. Arthur Miller called him ‘the mad inventor of modern theatre’, in a useful oversimplification. Carl Larsson’s portrait of Strindberg, on the book jacket, essentially in sepia but with rosy lips and penetratingly blue eyes (‘the most beautiful sapphire ...”

“... hatchlings will have something to eat. Except the other way round, the old self feeding off the young one. All that was left would be the eyes, pleading, trapped behind the eyeholes. It’s a rather sophisticated thought for an eight-year-old to have, but then Smith doesn’t play by the rules and might argue, if arguing were her thing, which it ...”

“... editor reproduced a small photograph of a small portrait copied from a very small photograph of a young woman named, so Mossy averred, Nora Joseph Barnacle. A name, I need not tell you, well known by then throughout the world of literature.’ ‘Barnacle?’ said Hunty. ‘But that is a kind of goose.’ ‘Mossy’s story about it was that some ten years ...”

“... anti-Conservative committee-rooms, as happened in the Vale of Glamorgan by-election in May; that Arthur Scargill would be seeking to become a fully-owned subsidiary of Ron Todd? Yet all this has come to pass, and so has industrial action by academics. That is, for me, the saddest development of all. Fashions may change in how best to run an industry or ...”

“... nationalistic stereotyping too little to engage with it. What a strange character is Tennyson’s Arthur in Idylls of the King, for instance: the only Arthur since the 12th century not to be the incestuous father of Mordred, and at the same time the most rigorously de-Celticised and Anglicised figure since Layamon’s. What ...”

“... was, he asserted, the people’s choice. The Times followed up the next day with a hatchet job by Arthur Mizener, entitled ‘Does a Moral Vision of the Thirties Deserve a Nobel Prize?’ It was, Parini concludes, ‘a sorry moment for American literary culture’. A friend of the author’s declared himself outraged that ‘Americans weren’t rooting for ...”

“... the baggy pants, is trying to retrieve lost romance (the daft ha’p’orth) by consorting with a young woman who operates a word-processor. It is partly because of her rival’s occupation that Winnie, mistress of the word, or at least of the word inwardly spoken, the phrase rounded in silence as one rolls the pastry or cleans the oven, paradoxically ...”

“... attacked by a storm cloud of pot and BO.’ Another way of saying that the audience is (Gr-rr-r) young. It’s hard to see who made Osborne a writer. In working-class childhoods the Curtis Brown role generally falls to the mother, but not apparently in this case. A colleague of his mother’s, Cheffie, cast him as a future ‘thousand a year man’. This was ...”

“... unburdened by any of our confusion over periodisation, were likewise bewildered: the young Skelton was praised by Caxton for his learning and was the subject of a fulsome panegyric by Erasmus, but later references to him were often hostile. He seems to share common ground with those great humanist proponents of folly, Rabelais and Erasmus ...”

“... recalls attending a debate over the relative merits of nuclear power and coal with her husband, Arthur, president of the National Union of Mineworkers from 1981 to 2002. The scientist who was arguing for nuclear power had brought a rod of uranium in a plastic case and a piece of coal. He showed each to the audience, then held up his hands to demonstrate how ...”

“... had come to respect him as a Roman Catholic pacifist, a Nobel Prizeman speaking measured words to young idealists. We may have forgotten the work of his youth, the two post-war novels based on his experience of service with the German Army in Russia. The 22 stories in The Casualty were written in the immediately post-war period, 1946 to 1952, so that they are ...”

“... Ford, an appealingly talented and gossipy subject, has naturally attracted biographers. In 1971 Arthur Mizener’s The Saddest Story seemed adequately exhaustive, but now Max Saunders comes along with two vast volumes, even more thorough and more than doubling the page count. Alan Judd, faithful to Ford’s own lack of respect for academic pieties, brought ...”

“... some equilibrium – not a matter of forgiveness – was regained between the two friends. When Arthur Martin, the investigator, rang the bell, they were talking about Cézanne. Blunt was disgraced, Long more grievously hurt, and Straight, after enjoying some quite respectful attention from the mass media, was eventually rubbished by the Sunday Times as ...”

“... suppose, not surprising that left to themselves in a remote Indian village with little to do, the young theorists’ fancy would lightly turn to thoughts of theory, but the involvement of the book with economic theory is more fundamental – and more weighty – than that. Indeed, it provides the motivation for the entire study. Chapter Three, called ...”

“... period films I hadn’t seen, an elegant and slow movie about the Italian romance of a no longer young American woman played by Katharine Hepburn. It was shot entirely on location in Venice, and Rossano Brazzi as the love interest comes a distinctly poor second to the city. Lean and H.E. Bates had taken an Arthur Laurents ...”