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At the Movies

Michael Wood: ‘Synecdoche, New York’, 11 June 2009

Synecdoche, New York 
directed by Charlie Kaufman.
April 2009
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... Cotard sees the news of Harold Pinter’s death in the paper, Asian flu is spreading, the first black graduate of the University of Mississippi has just died. Cotard’s wife is about to leave him, taking their little girl with her. The play he is currently directing is Death of a Salesman, and his gimmick is to have young actors take the roles of older ...

At the Movies

Michael Wood: ‘Upstream Colour’, 26 September 2013

Upstream Colour 
directed by Shane Carruth.
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... beginning a man scrapes the leaf of an exotic-looking flower and produces a small amount of blue-black dust. This is the sign of the presence in the earth of a certain grub. At the end of the film a leaf of the same plant is scraped and there is no dust. This is the sign that something is over, an adventure, an experiment, a sequence of crimes, all connected ...

At the Movies

Michael Wood: The Killers', Criterion Collection, 24 September 2015

... The first movie, shot by Woody Bredell, is a noir classic, full of haunting, half-seen frames in black and white, shadows disappearing into shadows; and there is a burial in the rain that looks like a photographic allusion to a famous Courbet painting, except that here the tableau is dominated by a row of umbrellas. When we first meet Ava Gardner (five years ...

At the Movies

Michael Wood: ‘Roma’, 24 January 2019

... hearts or they weren’t watching. Written, directed and photographed by Cuarón, the film is in black and white, and opens with an image of what seems be a tiled wall. Credits are palely projected on it, but it’s hard to pay attention to them because the tiles are so interesting. It isn’t a wall, it turns out, it’s a floor, and the camera is looking ...

At the Kunsthalle

Michael Hofmann: On Caspar David Friedrich, 8 February 2024

... limitations, but helpless against them. Even when reduced to the size of a postage stamp, or to black and white, there is no mistaking the pull and the skill and the force of his ...

Slashed, Red and Dead

Michael Hofmann: Rilke, To Me, 21 January 2021

... his side: in this dense quilted blue of his, in his red and his shadowless green and the reddish black of his wine bottles. And the humbleness of all his objects: the apples are cooking apples and the wine bottles belong in the bulging pockets of an old coat.The two volumes of the New Poems are, in my view, among the most beautiful poetic sequences ever ...

Making movies in England

Michael Wood, 13 September 1990

My indecision is final 
by Jake Eberts and Terry Ilott.
Faber, 678 pp., £17.50, June 1990, 0 571 14888 3
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... Goldcrest has produced All dogs go to heaven (a full-length cartoon) and Mike Hodges’s Black Rainbow, and makes money. The old (real) Goldcrest also made money, in the early days, but mainly it offered what it thought of as quality films, or, as the jargon of the trade would have it, ‘first-class product’. Quality films, but not art films. The ...

Signora Zabaggy

Michael Rose, 2 August 1984

All Visitors Ashore 
by C.K. Stead.
Harvill, 150 pp., £8.95, July 1984, 0 00 271009 9
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A Trick of the Light 
by Sebastian Faulks.
Bodley Head, 204 pp., £7.95, July 1984, 0 370 30589 2
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Dividing Lines 
by Victor Sage.
Chatto, 166 pp., £8.95, July 1984, 0 7011 2811 9
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... all the rest of the features – and performed a ruthless are until it split apart into two coal-black ovals. It was through this dominating organ, that his heavy middle-European accent seemed to issue, and hardly at all from the little mouth, perched below its overhang, that only appeared to serve as a hub, for a cartwheel of wrinkles.’ The librarian ...

Misinformed about Paradise

Michael Wood, 5 September 1996

Reading in the Dark 
by Seamus Deane.
Cape, 233 pp., £13.99, September 1996, 0 224 04405 2
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... the field was a white paradise of loneliness, and a starlit wind made the glass shake like loose, black water and the ice snore on the sill.’ ‘Raindrops, highlighted, were sliding in slant ocelli across the windowpane.’ The ocelli and the alliteration, like the snoring ice and the white paradise, surely belong in some faded poetry book. But even ...

A Tale of Three Novels

Michael Holroyd: Violet Trefusis, 11 February 2010

... say and “flawlessly proportioned”,’ she wrote to Vita on 5 June 1918: Julian’s hair was black and silky. Eve found herself wondering what it would feel like to stroke, and promptly did so; she was amazed to feel a sensation akin to pain shoot up her fingers and lodge itself definitely in the region of her heart … she was determined to analyse ...

Muted Ragu Tones

Michael Hofmann: David Szalay, 21 April 2016

All That Man Is 
by David Szalay.
Cape, 437 pp., £14.99, April 2016, 978 0 224 09976 9
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... superyacht beneath him. A woman’s hair may be ‘a sort of aureate beige’ or ‘dyed a maximal black’. Pleasures are technical, liquid and faddish; they are afforded by ‘torrenting’, ‘blasting’, ‘hot-rocking’ or ‘up-skirting’. People hang out at Porkies (a restaurant), Jester (a club) or Dzoker (a pub). DVDs dubbed into the wrong minority ...

Hitler at Heathrow

E.S. Shaffer, 7 August 1980

The Memoirs of Bridget Hitler 
edited by Michael Unger.
Duckworth, 192 pp., £4.95, March 1979, 0 7156 1356 1
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The Portage to San Cristobal of A.H. 
by George Steiner.
Granta, 66 pp., £1.50
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Young Adolf 
by Beryl Bainbridge.
Duckworth, 174 pp., £6.95, November 1978, 0 7156 1323 5
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... to light on a good read for the plane, his eye is assaulted by a thwacking array of swastikas on black, gold and blood-red fields. Approaching them at random but with a certain circumspection, he finds, for example, Philippe van Rindt’s The Trial of Adolf Hitler, in which it is revealed that Hitler survived his attempts at suicide in the bunker; The Murder ...

Urban Messthetics

John Mullan: Black and Asian writers in London, 18 November 2004

London Calling: How Black and Asian Writers Imagined a City 
by Sukhdev Sandhu.
Harper Perennial, 498 pp., £9.99, November 2004, 0 00 653214 4
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... are invariably expressions of enthusiasm, celebrating the imaginative freedoms of urban life: for black and Asian writers, London is a place not of exile or alienation, but of ‘self-expansion’. Sandhu’s story gets going in the 18th century. There were blacks in London before then, but he wants to ‘show how they have depicted the city, rather than how ...

Why can’t she just do as she ought?

Michael Newton: ‘Gone with the Wind’, 6 August 2009

Frankly, My Dear: ‘Gone with the Wind’ Revisited 
by Molly Haskell.
Yale, 244 pp., £16.99, March 2009, 978 0 300 11752 3
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... of breakdowns and benzedrine. Much as Powell and Pressburger re-created India in Pinewood for Black Narcissus, GWTW represents the triumph of artifice, the South of the 1860s concocted on a Hollywood lot. While the book was an ante-modernist throwback, a 1930s riposte to Harriet Beecher Stowe, the film lovingly embraces the possibilities of technology. It ...

Not God

David Lindley, 30 January 1992

Stephen Hawking: A Life in Science 
by Michael White and John Gribbin.
Viking, 304 pp., £16.99, January 1992, 0 670 84013 0
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... is a singularly fitting profession, requiring cogitation first and foremost. On the other hand, as Michael White and John Gribbin intimate, Hawking seems to have been a listless student and a rather charmless young man before ALS struck, obviously intelligent but lacking any passion to use his intelligence in one direction rather than another. Thus arises the ...

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