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Who Will Lose?

David Edgar, 25 September 2008

Inside the Presidential Debates: Their Improbable Past and Promising Future 
by Newton Minow and Craig LaMay.
Chicago, 219 pp., £11.50, April 2008, 978 0 226 53041 3
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... or 2004 – there is likely to be substantial crossover of support between the two main parties. No surprise, then, that the cycle of presidential and vice-presidential debates – starting on 26 September in Mississippi and ending on 15 October in New York – is being seen as the decisive factor. Contrary to the publishers’ blurb, Newton Minow and Craig ...

How not to do it

John Sutherland, 22 July 1993

The British Library: For Scholarship, Research and Innovation: Strategic Objectives for the Year 2000 
British Library, 39 pp., £5, June 1993, 0 7123 0321 9Show More
The Library of the British Museum: Retrospective Essays on the Department of Printed Books 
edited by P.R. Harris.
British Library, 305 pp., £35, June 1993, 0 7123 0242 5
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... phraseology beloved of macho commerce. Successful business operatives (‘winners’) waste no time on words. The imperative forms of ‘will’ and ‘shall’ feature prominently (‘I will drown and nobody shall save me,’ as the unlucky Frenchman is supposed to have shouted to impassive British spectators on the shore). By the year 2000, we are ...

Shakespeare and the Stage

John Kerrigan, 21 April 1983

Elizabethan Popular Theatre: Plays in Performance 
by Michael Hattaway.
Routledge, 234 pp., £14.95, January 1983, 0 7100 9052 8
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Shakespeare the Director 
by Ann Pasternak Slater.
Harvester, 244 pp., £18.95, December 1982, 0 7108 0446 6
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... of signs, whose meanings derived from its own codes and not from congruence with reality.’ No congruence? How arbitrary a signifier is a doublet representing a doublet? This is excess, not insight – a good critic suddenly subservient to a cliché. As important to Hattaway is a vaguely Hillish view of English history. He believes that late Elizabethan ...

At Tate Britain

John Barrell: L.S. Lowry, 8 August 2013

... the South of England, I knew him entirely through those ubiquitous colour reproductions, and had no idea of him as a painter, of how he put paint onto canvas. He seemed to have ignored all that had happened to painting in the 20th century. His figures, someone told me once with warm approval, were ‘really sweet’, but it was those figures that seemed to ...

Diary

Inigo Thomas: Berry Bros, 20 December 2018

... I knew next to nothing about. First things first: I got up from my desk and walked out of the exam hall to the lobby, where I lit a cigarette – it was 1985, and that sort of thing was possible. As I smoked, I settled on a question about the wine trade during the Hundred Years’ War. I knew about the wars; what I knew about the wine trade was that I knew ...

Diary

R.W. Johnson: Magdalen College, 19 November 2009

... until the foundation of Cardinal College (renamed Christ Church after Wolsey’s fall). It did no harm to Magdalen that Wolsey, who was one of its fellows, himself became Henry VIII’s chancellor. When I was senior bursar of the college in the early 1980s I had the pleasure of presiding over the topping out ceremony when we completed the restoration of ...

Reading Cure

John Sutherland, 10 November 1988

The Wellesley Index to Victorian Periodicals. Vol. IV: 1824-1900 
edited by Walter Houghton, Esther Rhoads Houghton and Jean Harris Slingerland.
Toronto/Routledge, 826 pp., £95, January 1988, 0 7102 1442 1
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Circulation: Defoe, Dickens and the Economies of the Novel 
by David Trotter.
Macmillan, 148 pp., £27.50, October 1988, 0 333 40542 0
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From Copyright to Copperfield 
by Alexander Welsh.
Harvard, 200 pp., £19.95, December 1987, 0 674 32342 4
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... The dominant ideas were principally extracted from the pontifical utterances of ‘sages’, in John Holloway’s expression, like Carlyle, Mill, Ruskin, Bagehot, Froude, Huxley, Morley, Arnold. The team-written Wellesley Index project went on from this quest to anatomise the élite Victorian mind at a lower archaeological level than that of the pre-eminent ...

Radio Fun

Philip Purser, 27 June 1991

A Social History of British Broadcasting. Vol. I: 1922-29, Serving the Nation 
by Paddy Scannell and David Cardiff.
Blackwell, 441 pp., £30, April 1991, 0 631 17543 1
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The Collected Essays of Asa Briggs. Vol. III: Serious Pursuits, Communication and Education 
Harvester Wheatsheaf, 470 pp., £30, May 1991, 0 7450 0536 5Show More
The British Press and Broadcasting since 1945 
by Colin Seymour-Ure.
Blackwell, 269 pp., £29.95, May 1991, 9780631164432
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... couldn’t be measured. Same with dance music in the heyday of the dance bands: Jack Payne, Henry Hall and Ambrose were all tuneful and popular; the more rarified Fred Elizalde at the Savoy was so disliked that he had to be dropped from the rota. And for the first time, as far as I know, a history of pre-war radio pays serious attention to the BBC’s ...

Unsex me here

John Bayley, 20 May 1982

Shakespeare’s Division of Experience 
by Marilyn French.
Cape, 376 pp., £12.50, March 1982, 0 224 02013 7
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... Atheist Society were rumoured to have taken as their motto a line from Julius Caesar: ‘There is no fellow in the firmament.’ Anyone else who believes anything strongly could do almost equally well. So it was only a matter of time before Shakespeare became a feminist. To do Dr French justice, though, she does not exactly claim that: only that he was fully ...

The Fame Game

Alan Brien, 6 September 1984

Hype 
by Steven Aronson.
Hutchinson, 198 pp., £5.95, May 1984, 0 09 156251 1
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Automatic Vaudeville 
by John Lahr.
Heinemann, 241 pp., £8.95, September 1984, 0 434 40188 9
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Broadway Babies: The People who made the American Musical 
by Ethan Mordden.
Oxford, 244 pp., £19, August 1984, 0 19 503345 0
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... Brits still call the Yank. For a century, in boys’ comics, thrillers, magazine humour, music-hall sketches and pre-war films, the American was a loud-mouthed, boastful vulgarian who always claimed that whatever he had must be the biggest, the rarest or the most expensive in the world. The Yank was never satisfied with a fair share, we thought, and I well ...

At the Soane Museum

Peter Campbell: Joseph Gandy, 11 May 2006

... draughtsman whose main income came from rendering the designs of others, or rather of one other: John Soane, who first employed him as a draughtsman and later gave him individual commissions and other financial support. He seems to have been difficult and touchy. He had trouble making enough money to keep himself and a large family, and died ...

Interdisciplinarity

Dinah Birch, 27 June 1991

The Desire of My Eyes: A Life of John Ruskin 
by Wolfgang Kemp, translated by Jan Van Huerck.
HarperCollins, 526 pp., £20, March 1991, 0 00 215166 9
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... for a more discriminating understanding of the texts. Both taught and published in America. John Unrau and Jeanne Clegg have enabled us to see Ruskin’s relations with Venice in a new light: one works in Canada, the other in Italy. Important collections of correspondence (Bradley’s editions of the letters from Venice and the Cowper-Temple ...

See the Sights!

Gillian Darley: Rediscovering Essex, 1 November 2007

The Buildings of England: Essex 
by James Bettley and Nikolaus Pevsner.
Yale, 939 pp., £29.95, May 2007, 978 0 300 11614 4
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... of Hatfield Forest – already harassed almost beyond endurance by air traffic – will be made a no-go area, with intensified noise and pollution. And all this despite objections from the budget airlines themselves, who don’t even want the new development (they know they’ll end up paying). In the south of the county, the sirens of regeneration are ...

Diary

Alan Bennett: Notes on 1997, 1 January 1998

... heard a woman outside Liberty’s saying to her husband: ‘Remind me to tell Austin that there is no main verb in that sentence.’15 January, Yorkshire. Trying to put my forty-year-old letters in order, I come across a diary for 1956-59. It’s depressing to read as very little of it is factual and most of it to do with my slightly sickening obsession ...

Nothing nasty in the woodshed

John Bayley, 25 October 1990

Yours, Plum: The Letters of P.G. Wodehouse 
edited by Frances Donaldson.
Hutchinson, 269 pp., £16.99, September 1990, 0 09 174639 6
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... had a phrase about the ‘great heart of Beethoven’, the rider to which was that it would make no sense to talk about the ‘great heart’ of Shakespeare. So much the worse for Beethoven, might be the sentiment of a non-philosopher who did not share Wittgenstein’s passion for music. But his point has its ramifications. Like Tolstoy, whose didactic tales ...

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