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“... is advertised, and Rick Deckard (played again by Harrison Ford) still drinks Johnny Walker Black Label, although it now comes in a fancy designer bottle. Replicants are on the loose, a lonely blade runner chases them, and is repeatedly and bloodily beaten up for his pains. The old metaphysical questions – what does it mean to be human and who ...”

“... of fiction, but close, in various ways, to her documentary Danton’s Death (2011), a study of a Black man from the Paris suburbs who spends three years at the Cours Simon, a drama school not far from Père Lachaise cemetery. In both films there are intense close-ups of faces, and Diop often allows these and other frames to linger longer than they need to ...”

“... be meaningless. It could be one of the last ways of keeping a secret. Then, take the influence of black music, black history. Indeed, it is there, and Dylan has consistently addressed himself to the social fate of American blacks. But Mellers’s mythic-mindedness leads him to not even discuss ‘The Lonesome Death of ...”

“... Asya, the heroine of Michael Ignatieff’s novel of revolution and exile, is born into an aristocratic Russian family in 1900. As a child, she nearly drowns walking out over the thawing ice beneath which the River Vasousa roars. She has a vision there of a great skater. Her brush with death changes her and leaves her with a belief ‘even when fear had her in its clasp ...”

“... prophetic books has recently been called into question in a way which has largely confounded Michael Foot’s purpose in writing The History of Mr Wells. It is clear that Foot first conceived his biography as a celebration of Wells’s socialism – more particularly his ‘libertarian’ socialism, which Foot takes to be healthier than the ...”

“... of workers were drawn. Another view claims significance for the different civic experiences of black Britons by comparison with those of immigrant workers in most Western European countries (e.g. access to the franchise), although it is worth pointing out that in the Netherlands settlers from former colonies have been more favourably received than the ...”

“... Some Time in the Sun and instantly announces several elements of a familiar legend. Even in black and white the image is full of warm shadows, and the uncropped version fills out the legend a little further. The desert boots are missing from the Hamilton cover and so is the landscape above the writer’s head: a hillside gracefully cluttered with dark ...”

“... as president of an Oxford college. A more plausible scene would have him growling greetings to the black cleaning lady at a quarter to six in the morning of a dreary January, as he comes in to finish an article about the night soil trade in 18th-century London, in an academic institution that is only just managing to contain him. And he it. Porter’s industry ...”

“... of its new, almost unstrung mode. Both books deserve their jackets: Fivemiletown its thunderous black and grey, Walking a Line its little-boy blue and girl pink. It is somewhere between jaunty and kittenish. For someone who first made his name and his mark (in A State of Justice, 1977, and The Strange Museum, 1980) with austere and crunching ...”

“... by the market, still a fake? What does intention matter if your audience doesn’t care about it? Michael ‘Butcher’ Boone, one of the two narrators of Theft, is a once famous Australian artist, newly divorced and down on his luck. His work is now very unfashionable, and he has retreated to a rustic house in New South Wales owned by his patron. Here, ...”

“... the problems and sufferings of his characters must stand for the problems and sufferings of all black Americans over the past thirty years. The result is stylistic inflation. It is one thing for Hall to be terrified in Atlanta, quite another for him to be ‘terrified’ when he falls in love, terrified when he is happy, terrified even when opening a ...”

“... Sometimes he is stopped on the street by a stranger and plied with liquor: ‘“Hell, the poor black man – he’ll be frozen stiff!” He offered me akvavit, and the two of us drank it from the bottle on the street.’ He comes in for racial abuse just once, from a village headman, a Dane by the name of Dorf (‘village’). There are hard and impressive ...”

“... greed, and the shot opens on a vast room packed with a ready-made set of nasty-looking people in black, and even the oak-panelled walls seem to be hoping for a bequest. Wes Anderson has said he was thinking of the paintings of Caspar David Friedrich when he made the movie, and while some of the hotel scenes were shot in an old department store, many of them ...”

“... in love, and now believes that everyone deserves respect and rights, ‘no matter how crippled or black or female’ they are – a brilliant conservation of prejudice at the very moment of its apparent abolition. There’s an additional point here. The earlier proposed Wadiyan democracy that was meant to undo Aladeen’s rule was all about selling oil to ...”

“... the sink above the open toilet. The men in my cell (I am the only white guy – the others are black and Latino) are in for having open alcohol containers on a subway (two), marijuana possession (two), a bar fight (one). Two are a little fuzzy about it. Every two hours or so, the public defenders come through, names are called, and some of us are taken ...”