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Updike’s Innocence

Craig Raine, 25 January 1990

Just Looking: Essays on Art 
by John Updike.
Deutsch, 210 pp., £19.95, November 1989, 0 233 98501 8
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... the infinite; one’s eyes begin to hurt, to water, and colours on the palette converge towards gray mud.’ This insider’s knowledge, tainted with mediocrity, makes Updike more than charitable to third-rate illustrators and commercial artists of any stripe, yet less than generous to the great, to whom he brings some of the pernickety professional ...

Jobs and Sprees and Sorrows

William Fiennes, 16 April 1998

Joe Gould's Secret 
by Joseph Mitchell.
Cape, 200 pp., £9.99, October 1997, 0 224 05107 5
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... flock of pigeons in Washington Square. He knows the birds by name: Big Bosom, Lady Astor, St John the Baptist, Polly Adler, Fiorello. He wanders from saloon to saloon cadging beers, sandwiches and cash. Most important, he adds to his work-in-progress, a mysterious book that he calls ‘The Oral History of Our Time’. This massive, encompassing volume, a ...

Visitors! Danger!

Lorraine Daston: Charles Darwin, 8 May 2003

Charles Darwin. Vol. II: The Power of Place 
by Janet Browne.
Cape, 591 pp., £25, November 2002, 0 224 04212 2
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... his career as a naturalist: his father, and his scientific mentor, the Cambridge professor John Henslow. While Desmond and Moore’s style was colourful, punchy and occasionally melodramatic, liberally embellished with exclamation marks, the tone of Browne’s writing, though no less vivid, is often lightly ironic. She has Darwin showing off to Henslow ...

Toolkit for Tinkerers

Colin Burrow: The Sonnet, 24 June 2010

The Art of the Sonnet 
by Stephanie Burt and David Mikics.
Harvard, 451 pp., £25.95, May 2010, 978 0 674 04814 0
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... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the form, or to God. The sonnet has a ...

‘What is your nation if I may ask?’

Colm Tóibín: Jews in Ireland, 30 September 1999

Jews in 20th-century Ireland: Refugees, Anti-Semitism and the Holocaust 
by Dermot Keogh.
Cork, 336 pp., £45, March 1998, 9781859181492
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... The pogrom in Limerick, which took place in 1904, was incited by the fiery preaching of Father John Creagh to the arch-confraternity: The Jews came to Limerick apparently the most miserable tribe imaginable ... but now they had enriched themselves and could boast of very considerable house property in the city. Their rags have been exchanged for ...

The Shape of Absence

Hilary Mantel: The Bondwoman’s Narrative, 8 August 2002

The Bondwoman’s Narrative: A Novel 
by Hannah Crafts, edited by Henry Louis Gates.
Virago, 338 pp., £10.99, May 2002, 1 86049 013 1
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... the writer takes courage and fills in the name: ‘Wheeler’. From this, Gates has identified John Hill Wheeler, a lawyer, functionary, plantation owner and sometime member of the state legislature of North Carolina, who became briefly famous through a 1855 court case in which he attempted to regain possession of a fugitive slave called Jane ...

Even paranoids have enemies

Frank Kermode, 24 August 1995

F.R. Leavis: A Life in Criticism 
by Ian MacKillop.
Allen Lane, 476 pp., £25, July 1995, 0 7139 9062 7
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... to reinforce Leavis’s right to be called a major critic. To paraphrase Johnson’s remark on Gray and his ‘Elegy’, had he always written like this, it had been vain to blame, and useless to praise him. Critical commentary of this kind usually had its origin in the classroom. It was essential to Leavis’s project that he should be at the charismatic ...

Mostly Middle

Michael Hofmann: Elizabeth Bishop, 8 September 2011

Poems 
by Elizabeth Bishop.
Chatto, 352 pp., £14.99, February 2011, 978 0 7011 8628 9
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... It is John Ashbery who takes the cake – in this case, the triple-decker cake with the solitary little sugar bride on top – for his description of Elizabeth Bishop: she is ‘the poets’ poets’ poet’. It sounds farcical, but it’s strictly true, and there’s as little getting round it as there is improving on it ...

You better not tell me you forgot

Terry Castle: How to Spot Members of the Tribe, 27 September 2012

All We Know: Three Lives 
by Lisa Cohen.
Farrar Straus, 429 pp., £22.50, July 2012, 978 0 374 17649 5
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... Russes dancer Tamara Karsavina; the photographer Berenice Abbott; modernist designer Eileen Gray; Jane Heap and Margaret Anderson, editors of the avant-garde literary magazine the Little Review; not to mention Colette, Gertrude Stein and Alice B. Toklas, Djuna Barnes, Romaine Brooks, Virginia Woolf, Janet Flanner, Vita Sackville-West, Greta ...

Scotland’s Dreaming

Rory Scothorne, 21 May 2020

Should Auld Acquaintance Be Forgot: The Great Mistake of Scottish Independence 
by John Lloyd.
Polity, 224 pp., £20, April 2020, 978 1 5095 4266 6
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The Literary Politics of Scottish Devolution: Voice, Class, Nation 
by Scott Hames.
Edinburgh, 352 pp., £24.99, November 2019, 978 1 4744 1814 0
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... for ‘When will my people be free?’‘For Scots with mixed [English and Scottish] parentage,’ John Lloyd wrote in the Financial Times in 2012, ‘a forced choice is uncomfortable. Should we, on the model of American blacks, claim “blackness” – or in this case Scottishness – as our dominant identity?’ Lloyd was not alone in feeling that his ...

Forget the Dylai Lama

Thomas Jones: Bob Dylan, 6 November 2003

Dylan's Visions of Sin 
by Christopher Ricks.
Viking, 517 pp., £25, October 2003, 9780670801336
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... nebulous enemy from the other side of the world. It could be Bob Dylan performing his ‘Talkin’ John Birch Paranoid Blues’ (‘I discovered there was red stripes on the American flag’); but the year is 2002, and the song is ‘Talkin’ Al Kida Blues’ (‘Cuba’s our enemy, unless we need a prison camp’). Al Kida is the name of a man who lives ...

Antinomian Chic

Danny Karlin, 2 June 1988

Blasted Allegories: An Anthology of Writings by Contemporary Artists 
edited by Brian Wallis.
New Museum of Contemporary Art, New York/MIT Press, 431 pp., £13.50, January 1988, 9780262231282
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Empire of the Senseless 
by Kathy Acker.
Picador, 227 pp., £10.95, May 1988, 0 330 30192 6
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The Western Lands 
by William Burroughs.
Picador, 258 pp., £10.95, March 1988, 0 330 29805 4
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... that these rebellions amount to much. They manifest themselves as the high seriousness of trivia (John Baldessari’s alphabetical list of the contents of his files of movie stills); as Native American bluster and vanity; as halfbaked intellectualism; above all, as the intoning of feminist and other contemporary cultural pieties. (Yvonne Rainer: ‘At this ...

Inconstancy

Peter Campbell, 20 July 1995

Brancusi 
Pompidou Centre, August 1995Show More
Constantin Brancusi: A Survey of His work 
by Sanda Miller.
Oxford, 256 pp., £45, April 1995, 0 19 817514 0
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Constantin Brancusi Photographe 
by Elizabeth Brown.
Assouline, 79 pp., frs 99, April 1995, 2 908228 23 8
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Constantin Brancusi: 1876-1957 
by Margit Rowell and Ann Temkin.
Gallimard, 408 pp., frs 390, April 1995, 2 85850 819 4
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... for example, a head as simple as a bean seed.) Later there were American connections – in 1916 John Quinn began collecting his work; he knew the photographers Edward Steichen and Man Ray – and Romanian connections, which were maintained all his life. There is hardly a significant name which does not turn up in some context or other, from Picasso and the ...
Northern Antiquity: The Post-Medieval Reception of Edda and Saga 
edited by Andrew Wawn.
Hisarlik, 342 pp., £35, October 1994, 1 874312 18 4
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Heritage and Prophecy: Grundtvig and the English-Speaking World 
edited by A.M. Allchin.
Canterbury, 330 pp., £25, January 1994, 9781853110856
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... did not pick up popularity till after Walter Scott. ‘Valkyries’ were introduced to English by Gray in 1768, closely followed by Percy’s translation of the Swiss professor Paul-Henri Mallet’s Monuments de la mythologie et de la poésie des Celtes et particulièrement des anciens Scandinaves. But ‘berserkers’ did not appear till 1822, though by 1879 ...

Damsons and Custard

Paul Laity: Documentary cinema’s unsung poet, 3 March 2005

Humphrey Jennings 
by Kevin Jackson.
Picador, 448 pp., £30, October 2004, 0 330 35438 8
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... exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household name, his critical reputation has for decades ...

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