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“... had embraced Joyce. He thought of himself as a popular novelist, writing for a well-educated but broad audience. Graham Greene was the reader for Longmans who recommended publication of At Swim-Two-Birds and O’Nolan was ambitious for a Greene-sized readership. He sent a copy of his first novel to the popular novelist Ethel Mannin and ...”

“... not quite fitting for a picture-maker. His courtesies, delivered in an accent bearing traces of broad Devonshire, gave way to long discomfiting silences as he worked his magic with the ‘pencil’, a superfine paintbrush of squirrel’s tail fur. In painting from life, he said, the most important thing is ‘the truth of the line’. Other equipment the ...”

“... Watford and Kingston-upon-Thames are coastal towns, straining to see each other across the broad, deep channel covering London. Sussex, Kent and Essex are mostly seabed. Suffolk, Norfolk, Cambridgeshire, Lincolnshire and much of Yorkshire have disappeared. Here and there, we imagine a church spire or the top floors of City skyscrapers breaking the ...”

“... lectured in the Fifties, becomes the occasion for an inspirational (if inaccurate) Baedeker of the Broad. Likewise, Inglis seems to be on familiar terms with all his chosen players, seldom allowing a name to pass by without offering a thumbnail sketch. Indeed, the book is a sort of stage, on which Inglis’s gods and heroes disport themselves. Thus at the ...”

“... think of as normal classic names: Simon, Mark, Peter, Andrew, Paul, Martin, Michael, Stephen, Richard, Robert, David. Girls’ names remained more modish: some Sarahs, Anns and Elizabeths and even some residual Marys, but also plenty of Janets, Jackies, Lisas and Debbies, who soared and plummeted through the bestseller lists in the space of a couple of ...”

“... historical and autobiographical questions and then hares off to tackle the former. This means that Richard Evans had an untilled field before him. Based on unrestricted access to Hobsbawm’s personal archive, this is one of those doorstopper biographies that can get published in Britain even when the subject is a historian. It clocks in at 662 pages of text ...”

“... John Elton for an American literary agent with a disfiguring hair transplant) and passages of broad pastiche, such as this from a novel about Shakespeare: ‘“Fye, Will,” said Lucretia, arching backwards and pulling William towards her, “keep thy wit for thy plays, for wit is a poor actor that comes on and plays his part and is heard no more, but ...”

“... to have felt that voting might be a special case that needed further consideration. However, as Richard Tuck points out in his fascinating new book about the strange hold that the free rider problem has had on political science ever since Olson, such misgivings have not stopped many of his followers from treating voting as the paradigmatic case of the ...”

“... and the London Waste Ltd plant in particular, was investigated by the television journalist Richard Watson for Newsnight. A predictable story of fudging, economy with the truth, buck-passing and ministerial denial. Until August 2000, London Waste was guilty of mixing relatively safe bottom ash with the contaminated fly ash that the process was ...”

“... of these musicians is a virtuoso of one or another aspect of pop. Yet the first book to appear, by Richard Witts, tackles the Velvet Underground. The Velvet Underground were decidedly not these kinds of virtuoso. There are confirmed music fans who can’t bear to listen to the songs considered their most characteristic (‘Heroin’, ‘Sister Ray’). With a ...”

“... Bubbles and hired expert Italian artisans to fabricate it; the result is a centrepiece of the Broad Collection. He could never have executed such work himself; but it was his idea. Was Disney such an artist? Well, he wasn’t exactly like any of these types, though his methods bore some relation to each of the three. He was an old-fashioned craft-oriented ...”

“... of ‘contemporary art’: Nicholas Serota (at the Tate), Charles Saatchi, Sarah Kent (Time Out), Richard Dorment (Daily Telegraph, oddly enough). Against: Modern Painters, Brian Sewell (Evening Standard), Giles Auty (Spectator), Glynn Williams (at the RCA) and any number of Johnsonian or Waugh-like commentators who throw themselves into the breach on wet ...”

“... between the orchestra and the conductor, Hans von Bülow, grew strained: Franz Strauss, father of Richard and the brilliant first horn of the Munich orchestra, had a blazing row with von Bülow, stomped out of the pit and had to be coaxed back. Ludwig Schnorr von Carolsfeld, who sang Tristan to his wife’s Isolde, caught a chill on stage and subsequently ...”

“... week. 15 April. I have given all my literary archive to the Bodleian Library and this afternoon Richard Ovenden, the keeper of special collections, comes round to load up the hundred or so box files and take them to Oxford. There will be more in due course, including all my notebooks and the annotated copies of the printed stuff, but I’m very happy to see ...”

“... and envy. Disapproval of English critical ‘conversation’ spills over into a censure of Richard Rorty: for just as the new, fully professional criticism is fighting free of ‘conversation’, that English laxity, Rorty is calling on philosophers to take it up. Yet a certain envy remains. The book oscillates between a lofty endorsement of high-level ...”